Dundonnell
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« on: March 10, 2016, 11:47:12 pm » |
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Risking my neck again  Only works designated as "Piano Concerto" or "Sinfonia Concertante" included. + indicates a cd version, * indicates an off-air recording available. 1919:
Montague Phillips Piano Concerto No.2 +
1921:
Sir Arthur Somervell Piano Concerto “The Highland” +
1922:
Sir Hamilton Harty Piano Concerto +
1923:
Dorothy Howell Piano Concerto +
1924:
Sir Arthur Bliss Double Piano Concerto + Constant Lambert Concerto for Piano, two trumpets, timpani and strings +
1925:
Herbert Howells Piano Concerto No.2 +
1927:
Gordon Jacob Piano Concerto No.1 + Sir William Walton Sinfonia Concertante for Piano and Orchestra +
1928:
Joseph Holbrooke Piano Concerto No.2 “L’Orient”
1929:
York Bowen Piano Concerto No.4 +
1930:
William Alwyn Piano Concerto No.1 + Joseph Holbrooke Piano Concerto No.3 John Ireland Piano Concerto +
1931:
Richard Hall Piano Concerto Ralph Vaughan Williams Piano Concerto +
1932:
Erik Chisholm Piano Concerto No.1 “Piobaireachd” + Edmund Rubbra Piano Concerto
1933:
Christian Darnton Piano Concerto
1934:
Stanley Bate Piano Concerto No.1 (?) Edmund Rubbra Sinfonia Concertante for Piano and Orchestra +
1937:
Alan Bush Piano Concerto *
1938:
Benjamin Britten Piano Concerto + William Busch Piano Concerto +
1939:
Sir Arthur Bliss Piano Concerto + Alan Rawsthorne Piano Concerto No.1 +
1940:
Stanley Bate Piano Concerto No.2 + Arnold Cooke Piano Concerto *
1941:
Geoffrey Bush Piano Concerto Norman Demuth Piano Concerto Franz Reizenstein Piano Concerto No.1 + Grace Williams Sinfonia Concertante for Piano and Orchestra *
1942:
Sir Eugene Goossens Phantasy Concerto for Piano and Orchestra +
1944:
Cedric Thorpe Davies Concerto for Piano and String Orchestra Humphrey Searle Piano Concerto No.1
1946:
Richard Arnell Piano Concerto + Ralph Vaughan Williams Concerto for Two Pianos and Orchestra(revision of 1931 work) + William Wordsworth Piano Concerto *
1947:
Sir Lennox Berkeley Piano Concerto + Thomas Pitfield Piano Concerto No.1 +
1948:
Denis ApIvor Piano Concerto * Sir Lennox Berkeley Concerto for Two Pianos and Orchestra + Francis Chagrin Piano Concerto Hans Gal Piano Concerto Ruth Gipps Piano Concerto +
1949:
Arthur Benjamin Concerto quasi una fantasia for Piano and Orchestra + Erik Chisholm Piano Concerto No.2 “The Hindustani” + Ian Parrott Piano Concerto
1951:
Sir Malcolm Arnold Concerto for Piano Duet and Strings + Sir George Dyson Concerto leggiero for Piano and string orchestra + Howard Ferguson Concerto for Piano and String Orchestra + Roberto Gerhard Concerto for Piano and Strings + Richard Hall Piano Concerto * Kenneth Leighton Piano Concerto No.1 + Alan Rawsthorne Piano Concerto No.2 +
1952:
Stanley Bate Piano Concerto No.3
1954:
Peter Racine Fricker Piano Concerto * Cecil Armstrong Gibbs A Simple Concerto for Piano and String Orchestra (?)
1955:
Stanley Bate Piano Concerto No.4 William Mathias Piano Concerto No.1 + Edmund Rubbra Piano Concerto + Humphrey Searle Piano Concerto No.2 Bernard Stevens Piano Concerto + Sir Michael Tippett Piano Concerto +
1957:
John Gardner Piano Concerto No.1 + Gordon Jacob Piano Concerto No.2 *
1958:
Sir Lennox Berkeley Concerto for Piano and String Orchestra John Joubert Piano Concerto * Cyril Scott Piano Concerto No.2 +
1959:
Malcolm Lipkin Piano Concerto Franz Reizenstein Piano Concerto No.2 +
1960:
William Alwyn Piano Concerto No.2 + Kenneth Leighton Piano Concerto No.2 * Iain Hamilton Piano Concerto No.1 + Alun Hoddinott Piano Concerto No.1 + Alun Hoddinott Piano Concerto No.2 + Thomas Pitfield Piano Concerto No.2 “The Student” + Ronald Stevenson Piano Concerto No.1 "Faust Triptych" +
1961:
William Mathias Piano Concerto No.2 +
1962:
David Ellis Piano Concerto David Wynne Concerto for two pianos (three hands) and orchestra
1963:
George Lloyd Piano Concerto No.1 “The Scapegoat” +
1964:
George Lloyd Piano Concerto No.2 +
1965:
Wilfred Josephs Piano Concerto No.1 *
1966:
Alun Hoddinott Piano Concerto No.3 * John McCabe Piano Concerto No.1 +
1967:
Robert Simpson Piano Concerto +
1968:
Sir Richard Rodney Bennett Piano Concerto + George Lloyd Piano Concerto No.3 + William Mathias Piano Concerto No.3 + Alan Rawsthorne Concerto for Two Pianos and Orchestra +
1969:
Sir Malcolm Arnold Concerto for Two Pianos (Three Hands) and Orchestra + Gordon Jacob Concerto for Three Hands on One or Two Pianos + Kenneth Leighton Piano Concerto No.3 “Concerto Estivo” +
1970:
George Lloyd Piano Concerto No.4 + John McCabe Piano Concerto No.2 “Sinfonia Concertante” + Robert Still Piano Concerto
1972:
Alexander Goehr Piano Concerto + Ronald Stevenson Piano Concerto No.2 “The Continents” +
1976:
John McCabe Piano Concerto No.3 “Dialogues”
1977:
Wilfred Josephs Piano Concerto No.2 *
1980:
David Gow Piano Concerto *
1985:
Thomas Wilson Piano Concerto +
1987:
Iain Hamilton Piano Concerto No.2 *
1989:
Sir James MacMillan Piano Concerto No.1 “The Berserking” +
1991:
Howard Blake Piano Concerto + Christopher Headington Piano Concerto + Hugh Wood Piano Concerto +
1992:
Matthew Taylor Piano Concerto
1994:
Wilfred Josephs Piano Concerto No.3
1995:
Edward Gregson Concerto for Piano and Wind “Homages” +
1997:
Sir Peter Maxwell Davies Piano Concerto +
1999:
Sir James MacMillan Piano Concerto No.2 +
2000:
John Pickard Piano Concerto +
2001:
Christopher Gunning Piano Concerto +
2008:
Sir James MacMillan Piano Concerto No.3 “The Mysteries of Light” *
2010:
David Matthews Concerto for Piano and Strings +
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guest140
Guest
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« Reply #1 on: March 11, 2016, 01:12:19 pm » |
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1941: Norman Demuth
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ahinton
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« Reply #2 on: March 11, 2016, 04:42:11 pm » |
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Seven concertos by Michael Finnissy (1975-84, 1975-76, 1978, 1978-96, 1980, 1980-81 and 1981), of which two are for piano solo.
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autoharp
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« Reply #3 on: March 12, 2016, 12:26:34 pm » |
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1963: John White
In five movements, accompanied by a large chamber group of 19 players. The performance (18/10/63) attracted one of the composer’s favourite reviews:- "Given a sound thrashing by Nadia Boulanger, Litolff might have written this work – and similarly chastened, Mr White would have done better. But for an RCM professor to publicise this pot-pourri of feeble tunes, fidgety harmonies and rambling, purposeless key-changes, even if unprecedented, will never do.” (Edmund Tracey – Times Higher Educational Supplement, 25/10/63)
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