The Art-Music Forum

Risking my neck again ;D Only works designated as "Piano Concerto" or "Sinfonia Concertante" included. + indicates a cd version, * indicates an off-air recording available.

1919:

Montague Phillips Piano Concerto No.2    +

1921:

Sir Arthur Somervell Piano Concerto “The Highland”   +

1922:

Sir Hamilton Harty Piano Concerto   +

1923:

Dorothy Howell Piano Concerto   +

1924:

Sir Arthur Bliss Double Piano Concerto     +
Constant Lambert Concerto for Piano, two trumpets, timpani and strings    +

1925:

Herbert Howells Piano Concerto No.2    +

1927:

Gordon Jacob Piano Concerto No.1    +
Sir William Walton Sinfonia Concertante for Piano and Orchestra    +

1928:

Joseph Holbrooke Piano Concerto No.2 “L’Orient”

1929:

York Bowen Piano Concerto No.4    +

1930:

William Alwyn Piano Concerto No.1    +
Joseph Holbrooke Piano Concerto No.3
John Ireland Piano Concerto    +

1931:

Richard Hall Piano Concerto
Ralph Vaughan Williams Piano Concerto    +

1932:

Erik Chisholm Piano Concerto No.1 “Piobaireachd”    +
Edmund Rubbra Piano Concerto

1933:

Christian Darnton Piano Concerto

1934:

Stanley Bate Piano Concerto No.1 (?)
Edmund Rubbra Sinfonia Concertante for Piano and Orchestra    +

1937:

Alan Bush Piano Concerto   *

1938:

Benjamin Britten Piano Concerto    +
William Busch Piano Concerto        +

1939:

Sir Arthur Bliss Piano Concerto        +
Alan Rawsthorne Piano Concerto No.1    +

1940:

Stanley Bate Piano Concerto No.2     +
Arnold Cooke Piano Concerto           *

1941:

Geoffrey Bush Piano Concerto
Norman Demuth Piano Concerto
Franz Reizenstein Piano Concerto No.1     +
Grace Williams Sinfonia Concertante for Piano and Orchestra     *

1942:

Sir Eugene Goossens Phantasy Concerto for Piano and Orchestra     +

1944:

Cedric Thorpe Davies Concerto for Piano and String Orchestra
Humphrey Searle Piano Concerto No.1

1946:

Richard Arnell Piano Concerto     +
Ralph Vaughan Williams Concerto for Two Pianos and Orchestra(revision of 1931 work)    +
William Wordsworth Piano Concerto    *

1947:

Sir Lennox Berkeley Piano Concerto    +
Thomas Pitfield Piano Concerto No.1   +

1948:

Denis ApIvor Piano Concerto    *
Sir Lennox Berkeley Concerto for Two Pianos and Orchestra     +
Francis Chagrin Piano Concerto
Hans Gal Piano Concerto
Ruth Gipps Piano Concerto    +

1949:

Arthur Benjamin Concerto quasi una fantasia for Piano and Orchestra    +
Erik Chisholm Piano Concerto No.2 “The Hindustani”    +
Ian Parrott Piano Concerto

1951:

Sir Malcolm Arnold Concerto for Piano Duet and Strings    +
Sir George Dyson Concerto leggiero for Piano and string orchestra    +
Howard Ferguson Concerto for Piano and String Orchestra    +
Roberto Gerhard Concerto for Piano and Strings    +
Richard Hall Piano Concerto    *
Kenneth Leighton Piano Concerto No.1    +
Alan Rawsthorne Piano Concerto No.2     +

1952:

Stanley Bate Piano Concerto No.3

1954:

Peter Racine Fricker Piano Concerto    *
Cecil Armstrong Gibbs A Simple Concerto for Piano and String Orchestra (?)

1955:

Stanley Bate Piano Concerto No.4
William Mathias Piano Concerto No.1    +
Edmund Rubbra Piano Concerto           +
Humphrey Searle Piano Concerto No.2
Bernard Stevens Piano Concerto          +
Sir Michael Tippett Piano Concerto       +

1957:

John Gardner Piano Concerto No.1       +
Gordon Jacob Piano Concerto No.2      *

1958:

Sir Lennox Berkeley Concerto for Piano and String Orchestra
John Joubert Piano Concerto      *
Cyril Scott Piano Concerto No.2  +

1959:

Malcolm Lipkin Piano Concerto
Franz Reizenstein Piano Concerto No.2    +

1960:

William Alwyn Piano Concerto No.2       +
Kenneth Leighton Piano Concerto No.2  *
Iain Hamilton Piano Concerto No.1        +
Alun Hoddinott Piano Concerto No.1      +
Alun Hoddinott Piano Concerto No.2     +
Thomas Pitfield Piano Concerto No.2 “The Student”    +
Ronald Stevenson Piano Concerto No.1 "Faust Triptych"   +

1961:

William Mathias Piano Concerto No.2    +

1962:

David Ellis Piano Concerto
David Wynne Concerto for two pianos (three hands) and orchestra

1963:

George Lloyd Piano Concerto No.1 “The Scapegoat”     +

1964:

George Lloyd Piano Concerto No.2    +

1965:

Wilfred Josephs Piano Concerto No.1   *

1966:

Alun Hoddinott Piano Concerto No.3   *
John McCabe Piano Concerto No.1     +

1967:

Robert Simpson Piano Concerto    +

1968:

Sir Richard Rodney Bennett Piano Concerto   +
George Lloyd Piano Concerto No.3               +
William Mathias Piano Concerto No.3            +
Alan Rawsthorne Concerto for Two Pianos and Orchestra    +

1969:

Sir Malcolm Arnold Concerto for Two Pianos (Three Hands) and Orchestra   +
Gordon Jacob Concerto for Three Hands on One or Two Pianos    +
Kenneth Leighton Piano Concerto No.3 “Concerto Estivo”           +

1970:

George Lloyd Piano Concerto No.4     +
John McCabe Piano Concerto No.2 “Sinfonia Concertante”    +
Robert Still Piano Concerto

1972:

Alexander Goehr Piano Concerto   +
Ronald Stevenson Piano Concerto No.2 “The Continents”    +

1976:

John McCabe Piano Concerto No.3 “Dialogues”

1977:

Wilfred Josephs Piano Concerto No.2   *

1980:

David Gow Piano Concerto     *

1985:

Thomas Wilson Piano Concerto    +

1987:

Iain Hamilton Piano Concerto No.2   *

1989:

Sir James MacMillan Piano Concerto No.1 “The Berserking”    +

1991:

Howard Blake Piano Concerto    +
Christopher Headington Piano Concerto   +
Hugh Wood Piano Concerto     +

1992:

Matthew Taylor Piano Concerto

1994:

Wilfred Josephs Piano Concerto No.3

1995:

Edward Gregson Concerto for Piano and Wind “Homages”    +

1997:

Sir Peter Maxwell Davies Piano Concerto    +

1999:

Sir James MacMillan Piano Concerto No.2    +

2000:

John Pickard Piano Concerto     +

2001:

Christopher Gunning Piano Concerto    +

2008:

Sir James MacMillan Piano Concerto No.3 “The Mysteries of Light”    *

2010:

David Matthews Concerto for Piano and Strings     +

1941: Norman Demuth

Seven concertos by Michael Finnissy (1975-84, 1975-76, 1978, 1978-96, 1980, 1980-81 and 1981), of which two are for piano solo.

1963:  John White

In five movements, accompanied by a large chamber group of 19 players. The performance (18/10/63) attracted one of the composer’s favourite reviews:-
"Given a sound thrashing by Nadia Boulanger, Litolff might have written this work – and similarly chastened, Mr White would have done better. But for an RCM professor to publicise this pot-pourri of feeble tunes, fidgety harmonies and rambling, purposeless key-changes, even if unprecedented, will never do.”
(Edmund Tracey – Times Higher Educational Supplement, 25/10/63)