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Have multiphonics ever been any use to main-stream composers?

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Author Topic: Have multiphonics ever been any use to main-stream composers?  (Read 371 times)
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autoharp
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« on: October 08, 2012, 01:05:58 am »

And also, apparently, in the concerto for violin and horn by Ethel Smyth. Both this and the cadenza of the Weber concertino use "chords" for the horn - play one note, sing another, and on a good day other notes will appear.
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