guest822
Guest
|
|
« Reply #15 on: September 03, 2021, 07:07:01 pm » |
|
In the meantime, this should keep us going...
Written by Dame Ethel Smyth, English composer and leader in the women’s suffrage movement, The Wreckers was first performed in Germany in 1906 and was mounted in the composer’s homeland in 1909. This powerful three-act opera about piracy, love, and betrayal in a community of religious fanatics received its U.S. premiere in 2015 at Bard SummerScape in a penetrating production directed by Thaddeus Strassberger, with the American Symphony Orchestra under the baton of Maestro Leon Botstein.
:)
Thank you very much. Just the sort of thing I'll need to restore my equilibrium once I'm back from the dentist's tomorrow!
|
|
|
|
Albion
|
|
« Reply #16 on: September 03, 2021, 07:57:08 pm » |
|
In the meantime, this should keep us going...
Written by Dame Ethel Smyth, English composer and leader in the women’s suffrage movement, The Wreckers was first performed in Germany in 1906 and was mounted in the composer’s homeland in 1909. This powerful three-act opera about piracy, love, and betrayal in a community of religious fanatics received its U.S. premiere in 2015 at Bard SummerScape in a penetrating production directed by Thaddeus Strassberger, with the American Symphony Orchestra under the baton of Maestro Leon Botstein.
:)
Thank you very much. Just the sort of thing I'll need to restore my equilibrium once I'm back from the dentist's tomorrow! Bless ya, good luck with the tooth-fairy. There's an MP3 of the Bard School rendition now in BIMA amplified to the point of audibility! It benefits from a staged performance... ;)
|
"A piece is worth your attention, and is itself for you praiseworthy, if it makes you feel you have not wasted your time over it." (Sydney Grew, 1922)
|
|
|
guest822
Guest
|
|
« Reply #17 on: September 03, 2021, 09:20:58 pm » |
|
In the meantime, this should keep us going...
Written by Dame Ethel Smyth, English composer and leader in the women’s suffrage movement, The Wreckers was first performed in Germany in 1906 and was mounted in the composer’s homeland in 1909. This powerful three-act opera about piracy, love, and betrayal in a community of religious fanatics received its U.S. premiere in 2015 at Bard SummerScape in a penetrating production directed by Thaddeus Strassberger, with the American Symphony Orchestra under the baton of Maestro Leon Botstein.
:)
Thank you very much. Just the sort of thing I'll need to restore my equilibrium once I'm back from the dentist's tomorrow! Bless ya, good luck with the tooth-fairy. There's an MP3 of the Bard School rendition now in BIMA amplified to the point of audibility! It benefits from a staged performance... ;) Thanks again. Just a check-up, hopefully. :-\
|
|
|
|
Albion
|
|
« Reply #18 on: September 03, 2021, 09:33:48 pm » |
|
Thanks again. Just a check-up, hopefully. :-\
Hey, who needs teeth anyway? :D
|
"A piece is worth your attention, and is itself for you praiseworthy, if it makes you feel you have not wasted your time over it." (Sydney Grew, 1922)
|
|
|
guest822
Guest
|
|
« Reply #19 on: September 03, 2021, 10:05:50 pm » |
|
Thanks again. Just a check-up, hopefully. :-\
Hey, who needs teeth anyway? :D ;D
|
|
|
|
|
|