I know of one company who signed up with a distributor who then, against the express wishes of the recording company, made their recordings available to Spotify, from which the returns are microscopic. That is why I asked.
Well, it's much more complicated than that. Who owns the rights to the distribution? The distribution company. If you make a recording and work with a distribution company, you have very little control on how they distribute. That is just an unrealistic expectation. Most of the time, Naxos recordings are self funded and they get a cut in exchange for their presence and brand - their name recognition and distribution model is what you pay for. I doubt you can tell them here is the recording I paid for and I only want it sold in three of the 50 ways you can sell it. They can and do deviate from this but it is very rare (such as them commissioning Maxwell Davies' Naxos quartets).