Message #473

[increpatio]

(rather than the atonality of the Schoenberg type, which he abhorred).

Did he really abhor it?  I have read a number of Busoni's writings and nothing springs to mind.

[I am very fond of Liszt's efforts faust wise; I find it very expressive, and I like the basic construction/form.  One should probably not forget, in considering this catalogue, even though it ostensibly be about symphonic works, his mephisto waltzes as well].

I haven't actually consciously listened to the Gounod yet, as it happens.