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Author Topic: Introduction  (Read 7 times)
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« on: November 18, 2023, 09:15:32 am »

IN ENDEAVOURING to put before the public for the first time the truth concerning the amazing happenings of the summer of 1927, I feel myself to be at a disadvantage. In the first place I am no story-teller: so maybe my presentation of the facts will fail to carry conviction. Nay, further: it is more than likely that what I am about to write down will be regarded as a tissue of preposterous lies. And yet to those who condemn me offhand I would say one thing. Take the facts as you know them, and as they appeared in the newspapers, and try to account for them in any other way. You may say that in order to write a book---gain, perhaps, a little cheap notoriety---I have taken the ravings of a madman around which to build a fantastic and ridiculous story. You are welcome to your opinion. I can do no more than tell you what I know: I cannot make you believe me.

In one respect, however, I feel that I am in a strong position: my own part was a comparatively small one. And it is therefore from no reason of self-aggrandisement that I write. To one man, and one man only, is praise and honour due, and that is the man who led us---Hugh Drummond. But if unbelievers should go to him for confirmation, it is more than probable they will be disappointed. He will burble at them genially, knock them senseless with a blow of greeting on the back, and then resuscitate them with a large tankard of ale. And the doubter may well be pardoned for continuing to doubt: I, myself, when I first met Drummond was frankly incredulous as to his capabilities of being anything but a vast and good-natured fool. I disbelieved, politely, the stories his friends told me about him: to be candid, his friends were of very much the same type as himself. There were four of them whom I got to know intimately: Algy Longworth, a tall young man with a slight drawl and an eyeglass; Peter Darrell, who usually came home with the milk each morning, but often turned out to play cricket for Middlesex; Ted Jerningham, who fell in love with a different girl daily; and finally Toby Sinclair, who was responsible for introducing me into the circle.

Finally, there was Drummond himself, of whom a few words of description may not be amiss. He stood just six feet in his socks, and turned the scales at over fourteen stone. And of that fourteen stone not one ounce was made up of superfluous fat. He was hard muscle and bone clean through, and the most powerful man I have ever met in my life. He was a magnificent boxer, a lightning and deadly shot with a revolver, and utterly lovable. Other characteristics I discovered later: his complete absence of fear (though that seemed common to all of them); his cool resourcefulness in danger; and his marvellous gift of silent movement, especially in the dark.

But those traits, as I say, I only found out later: just at first he seemed to me to be a jovial, brainless creature who was married to an adorable wife.

It was his face and his boxing abilities that had caused him to be nicknamed Bulldog. His mouth was big, and his nose was small, and he would not have won a prize at a beauty show. In fact, it was only his eyes---clear and steady with a permanent glint of lazy humour in them---that redeemed his face from positive ugliness.

So much, then, for Hugh Drummond, D.S.O., M.C., who was destined to play the leading part in the events of that summer, and to meet again, and for the last time, the devil in human form who was our arch-enemy. And though it is not quite in chronological order, yet I am tempted to say a few words here concerning that monstrous criminal. Often in the earlier stages of our investigations did I hear Drummond mention his name---a name which conveyed nothing to me, but which required no explanation to the others or to his wife. And one day I asked him point blank what he meant.

He smiled slightly, and a dreamy look came into his eyes.

"What do I mean, by saying that I seem to trace the hand of Carl Peterson? I'll tell you. There is a man alive in this world to-day---at least he's alive as far as I know---who might have risen to any height of greatness. He is possessed of a stupendous brain, unshakable nerve, and unlimited ambition. There is a kink, however, in his brain, which has turned him into an utterly unscrupulous criminal. To him murder means no more than the squashing of a wasp means to you."

He looked at me quietly.

"Understand me: that remark is the literal truth. Three times in the past have he and I met: I'm just wondering if this will prove to be the fourth; if, way back, at the foundation of this ghastly affair, there sits Carl Peterson, or Edward Blackton, or the Comte de Guy, or whatever he calls himself, directing, controlling, organising everything. I haven't seen him now or heard of him for three years, and as I say---I wonder."

At the time, of course, it was Greek to me; but now that the thing is over and the terror is finished, it may be of interest to those who read to know before I start what we did not know at the time: to know that fighting against us with every force at his command was that implacable devil whom I will call Carl Peterson.

I say, we did not know it, but I feel that I must mitigate that statement somewhat. Looking back now I think---and Drummond himself admits it---that deep down in his mind there was a feeling almost of certainty that he was up against Peterson. He had no proof: he says that it was just a guess without much foundation---but he was convinced that it was so. And it was that conviction that kept him at it during those weary weeks in London, when all traces seemed to be lost. For if he had relaxed then, as we others did: if he had grown bored, thinking that all was over, a thing would have occurred unparalleled in the annals of crime.

But enough of this introduction: I will begin my story. And in telling it I shall omit nothing: even at the risk of boring my readers I shall give in their proper place extracts from the newspapers of the day which dealt with that part of the affair which is already known to the public. If there is to be a record, let it be a complete one.

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